Walter Murch Research Paper Example | Topics and Well Written Essays - 500 words

Walter Murch - Research Paper Example Walter Murch attracted the Academy Award nomination for sound mixing for Francis Coppola’s movie The Conversation, in 1974. Not to say, Walter Murch succeeded in collecting his well deserved first Academy Award in 1979 for his work in Apocalypse Now. Walter Murch is credited to be the only person who has ever won an Academy Award for both sound mixing and film editing (Last B08). Walter Murch also directed a movie Return to Oz in 1985. It goes without saying that in the contemporary cinema, Walter Murch is vouched to be an authority in the realm of film editing and sound mixing. Murch is justly credited to be the father of the discipline that is today known as ‘Sound Designing’ (Last B08). He is also ascribed with the honor of developing the much adhered to 5.1 channel arrays, the standard film sound format, which raised the art of sound designing to new heights (Last B08). Murch happens to be the single most important person and technician who have made stupendou s contributions to the discipline of film editing and sound processing. As per his views evinced in an interview with Michael Jarrett, Murch delineates his approach to sound in relation to images by declaring that when it comes to sound, a sound designer always tends to have more freedom as compared to images (Online).

Physics and the Olympics :: Sport Sports Olympic Competition

The Olympics are fabled to have originated from a Greek myth, in which Hercules won a race at Olympia, a plain in the small state of Elis, and then decreed that the race should be enacted every four years. The more likely story is that the Olympic festival was a local religious event until 884 BC, when Iphitus, the king of Elis, decided to turn it into a broader festival. To accomplish that, he entered into a temporary truce with other rulers, allowing athletes and others to travel peacefully to Olympia while the festival was going on. In 776 BC, the Greeks based their chronology on four-year periods, called Olympiads, and the Olympic festival marked the beginning of each Olympiad. Today, the Olympics are still held every four years, and advanced in technology and fitness training have enhanced world records to the absolute maximum. All Olympic sports have experienced major changes over the years, but here I will discuss a few of the more famous Olympic events; the 100-meter dash, the javelin throw, and the pole vault. The Greeks actually had a sprint of about 190 metres called the stadion in the ancient Olympics, which was a sprint down a straight track and back again. The technology of the day consisted of nothing more than a wooden post at one end to help the runner on his return back up the track. Races originally began with the athletes standing upright, with their toes resting in grooves in a stone starting sill - hence the expression "toe the line". False starts were punished by flogging from a judge standing behind the athletes. Later it seems that a starting gate (called the husplex) was used, much like that used in horse-racing today. In the modern Olympics, sprinters start from a crouching position, pushing against starting blocks to help them accelerate. Blocks were introduced in the late 1920s and were first used at the 1948 Olympic games in London. Instrumented starting blocks appeared in the early 1980s, and consisted of a spring plate and a microswitch. In the late 1980s units based on strain gauges emerged, although they were very sensitive to the push of the athlete against them and caused many wrong false starts in competitive races. An improved strain-gauge version that worked quite well was introduced in about 1993, and two years later an "intelligent" version was developed.

Andre Derain

Andre Derain, Mountains at Colioure, 1905-exemplifeis so called mixed technique. Favism in which short strokes of pure color derived fom the work of van goh and Seurat are combined with curvilinear planes of flat color inspired by by gaugunis paintings and are nouvau decorative arts. The assertive colors, which he likened to sticks of dynamite do not record what he actually saw in the landscape by rather generate their own purely artistic energy as they express the artists intense feeling about what he saw. Henri Matisse, The woman with the hat, 1905-Like Derain Matisse was interested in deliberate disharmonies.The painting sparked controversy at the 1905 salon d’Automne. Not because of subject was depicted: with crude drawing, sketchy brushwork, and wildly arbitrary colors that create a harsh and dissonant effect. Henri Matisse, Le Bonheur de Vivre(The Joy of Life), 1905-depicts nudes in attitudes close to traditional studio poses, but the landscape is intensely bright. He de fended his aims in 1908 pamphlet called notes of a painter: â€Å"What I am after, above all, is expression,† he wrote. In the past, an artist might express feeling thourgh the figure pses or expressions that the characters in the painting had.But now, he wrote, the whole arranfement of my picture is expressive. The place occupies by the figures or objects, the empty spaces around them, the proportions, everything plays a part. Ernst Ludwig Kirchner, street, Berlin- Dominating the left half of the painting, two prostitutes, advertised by their large feathered hats and fur trimmed coats, strut past well dressed ourgeois men, their potential clients. The figures appear as artificial and dehumanized figures, with masklike faces and stiff gestures.Their bodies crowd together, but they are psychotically distant from one another, victims of modern urban alienation. The harsh colors, tilted perspective, and angular lines register Kirchners expressionistic response to the subject. Ko llwitz, The outbreak-Expressionist* shows the peasants built up fury from years of mistreatment exploding against their oppressors, a lesson in the power of group action. Kollwitz said that she herself was the model for the leader of the revolt, black anna, who raises her hands to signal the attack.Her arms silhouetted against the sky, and the crowded mass of worker with their farm tools , form a jumbled and chaotic picture of a time of upheaval. Kandinsky, Improvisation No 28-First abstract work*This work retains vestige of the landscape :Kandinsky found references to nature the hardest transcend. But the work taes us into a vortex of color, line and shape. If we recognize buildings or mountains or faces in the work, then perhaps we are seing in the old way, looking for corresponences between the painting and the world where none are intended.Rather the artist would have us look at the painting as if we were hearing a shmphony, respnding insticntivley and spontaneously to this or t hat passage, and then to the total experience. Kandinsky, The Blue Mountain, 1909- shows two horsemen, rendered in the style of Russian folk art, before a looming peak in his favorite color. The flatness of the work and the carefully parallel brushstrokes show influence from Gaugin and Cezanne. Many of his works feature riders; Kandinsky had in mind the horsemen of the Apoclypse who usher in the end of the world before its final transformation at the end of time.Franz Marc, The large blue horses- The animals merge into a homogenous unit, the fluid contours of which reflect the harmony of their collective existence and echo the lines of the hills behind them, suggestion that they are also in harmony with their surroundings. The pure, strong colors reflect their uncomplicated yet intense experience of the world as March enviously imagined it. Paul Klee, Hammamet with its mosque-The play between geometric composition and irregular brush strokes is reminiscent of Cezannes work, which Kl ee has recently seen.The luminous colors and delicate washes or applications of dilute watercolor, result in a gently shimmering effect The subtle modulations of red across the bottom, especially are positively melodic. Klee who played violin and belonged to a musical family, seems to have wanted to use color the way a musician would use sound, not to describe appearances but to evoke subtle nuances of feeling. Pablo Picasso, Self Portrait, 1901- reveals his unhappiness which reveals his familiarity with cold, hunger and disappointment.In search of a more vital art inviroment, Picasso moves to paris where his circumstances improved. Picasso, Family of saltimbanques, 1905-In this mysterios composition, si figures ihabit a barren lanscape ainted in warm tones of beige and rose sketchily brushed over a blue ground. Five of the figures cluster together in the left two thirds of the picture while the sicth a seather woman curiously detached, occupies her own space in the lower right. All of the saltimbanques seem psycholically withdrawn and uncommunicative as silent as the emoty andscape they occupy.Picasso, Les Demoisleels d’Avogmon, 1907-Iberian influences is seen in the faces of the three leftmost figures, with their simplified features and wise, almond shaped eyes. The faces of the two right handed, painted in a radically different style, were inspired by African art. Given the then condesving attitudes towards primitive cultures. Picassos wholesale adoption and adaptation of their styles for a large multifigured painting , as opposed to a still life or a small genre work. Georges Braqu, houses at L’Estaque- Reveals the emergence of early Cubism.Inspired by Cezannes example, Braque reduced natures many colors to its essential browns and greens and eliminated detail to emphasize basic geometric forms. Arranging the buildings into an appoximate pyramid, he pushed those in the distance closer to the foreground, so the viewer looks uop the plane of th e canvas more than into. Georges Braque, Violin and Palette, 1909-10-the gradual abstraction of deep space and recognizable subject matter is well under way. The still life items are not arranged in illusionistic depth but are pushed close to the picture plane in a shallow space.Braque knit the various elements together into a single shifting surface of forms and colors. In some areas of the paintings, these formal elements have lost not only their natural spatial relations nut their identities as well. Picasso, Glass and bottle of suze, 1912 – Collage , a work composed of separate elements pasted together. At the center, newsprint and construction paper are assembled to suggest a tray or round table supporting a glass and a bottle of liquor with an actual label.Robert Deluanay, Homage to Bleriot 1914-pays tribute to the French pilot who in 1909 was the first to fly across the English channel. One of Bleriots early airplane, in the upper right, and the Eiffel tower below it, symbolized technological and social progress, and the crossing of the channel expressed the hope of a new, unified world without national, antagonisms. The brightly colores circular forms that fill the canvas suggest both the movement of the propellar on the left and blazing sun. Fernand Legere, Three women, 1921- Machine age version of the French odalique tradition that dates back to Ingeres.The picture space is shallow and compressed by less radically shattered than analytic cubist works. The women arranged within a geometric grid stare out blankly at us, embodying a quality of classical calm. Legers wome haveidentical faces, and their bodies seem assembled from metal parts. Boccion, Unique forms of continuity in space, 1913-an armless nude figure in full, powerful stride. The contours of the muscular body flutter and flow into the surround space, expressing the fgres great velocity and vitatlity as it rushes forward, a stirring symbol of the brave new futurist world.Malevich, The supremist paintng- consists simply of eight red rectangles arranged diagnolly on a white painted ground. Malevich called this art suprematism, short for the supremacy of pure feeling in creative art. Motivated by a pure feeling for plastic values. Brancusi, The New born, 1915-the egg symbolizes the birth or the rebirth and the pontential for growth and development. He say egg shapes as perfect, organic ovals that contain all possible life forms. Marcel Duchamp, Fountain, 1917-A porcelain urinal turned 90 degrees an signed it as mocking J. L mott Iron works.The manufacturer. Marcel Duchamp, L H O O Q, 1919-Marcel bought a postcard of the mona lisa and painted a mustache and a beard on the famous fac, and signed it with his name. he called this piece not a readymade but and assisted readymade. John Sloan, Election Night, 1914-Embodies many of the groups concerns. Theartist went out into street during a postelection victory celebration and made a sheaf of quick drawings that he turned into this painting. The work feels like a spontaneous sketch. Sloan was an avid socialist who made illustrations for several leftist magazines in those years.Dove, Nature Symbolized, no. 2-is a remarkable set of small worksin which the artist made visual equivalents for natural phenomena such as rivers, trees and breezes. Doce rendered nature as from his experience of it. Okeefe, City Night, 1926-dark tonalities, stark forms, and exaggerated perspective may produce a sense of menace or claustrophobia. . The painting seems to reflect okeefs own growing perception of the city as too confinig. Frida Kahlo, The two fridas, 1939-shows an image of Kahlo that expresses a split in her identity between Mexican and European.The European frida wear a Victorian dress while the Mexican wears peasant clothing. The blood vessel that flows through both fridas hints at the idea that the artist was injured as a teen an the painting shows her inner pain and struggle. Le Corbusier, Villa Savoye France , 1929-House outside of paris is an icon of international style. It is the best expression of his domino construction system. Frand Llyoyd Wright. Frederick C Robie house, Chicago 1906-Organized around a central chimney that marks the hearth as the physical and psychological center of the home. Frand e

Beach Selected Glenelg Beach - 1341 Words

Beach selected: Glenelg beach History: According to Glenelg SA (2015), Glenelg beach is only 12km from the centre of Adelaide, Glenelg is a pleasing entertaining beach resort set amongst the sandy shores of the bay of Holdfast. In 1836, Glenelg was the site of South Australia’s original mainland settlement. Processes that affect Glenelg Beach: There are multiple factors that affect Glenelg beach and other Adelaide beaches. The drift of sand that is going north is created by the winds and waves. Although, sand can move in different wind conditions. This sand movement is also known as a littoral drift. Big quantities of sand is eroded due to the cause of considerable damage to beach, dune and nearshore areas because of a coastal storm. Therefore, Glenelg beach cannot be considered stable just like other Adelaide beaches. Before the settlement of the Europeans, Glenelg beach had been withheld by costal dune erosion. Although due to the subsequent development occurring on the top of the dunes, a replenishment process has to be carried out artificially. Big quantities of sand have either been put away and not used or removed from Glenelg beach due to development on the coast. Multiple Adelaide coasts have been built upon an extensive system of dunes on the coast or, alternatively, due to the need of providing land for housing and Adelaide airport, dunes were used to infill backswamps of the coast. Along the Lefevre Penisula, land was reclaimed to create the suburb of NorthShow MoreRelatedMarket Research Report - Pepsi2632 Words   |  11 Pagessupposition that tentatively explains certain factors or phenomena. The hypothesis for this survey is; generation Y has an equal brand loyalty to Pepsi as it does, Coca-Cola. Marketing Research Problems The participants in the survey were selected on the basis of personal judgment due to convenience. It was decided to conduct the survey in person; as opposed to sending them out online to eliminate respondent error. The next decision determined that our survey would be conducted in South Australia